Once a Los Angeles homicide detective, Police Chief Jesse Stone now presides over the quiet, seaside village of Paradise, Massachusetts. When the facts don’t add up in a brutal Boston-area murder case, Jesse opens an investigation filled with surprises, unlikely suspects and grave danger. Though it’s widely believed the murder was committed by an incarcerated serial killer, Jesse suspects another killer is at large and is hell-bent on bringing him to justice.

Jesse Stone is a former L.A. homicide detective who left behind the big city and an ex-wife to become the police chief of the quiet New England fishing town of Paradise. Stone’s old habits die hard as he continues to indulge his two favorite things–scotch and women. When a series of murders takes place and a high school girl is raped, he’s forced to face his own demons in order to solve the crimes. And, since these are the first murders to occur in Paradise, Jesse must also train his inexperienced staff of police officers to assist in the investigation to find the killers and the rapist before they can strike again.

GOLDSTONE, the award-winning new feature from Australian auteur Ivan Sen (Mystery Road), is a complex and stylish crime thriller that explores themes of racism, human trafficking, police corruption, corporate malfeasance, and the trampling of indigenous people’s rights. On the trail of a missing person, troubled indigenous detective Jay Swan (Aaron Pedersen, Mystery Road) finds himself in the small mining town of Goldstone, where he is arrested for drunk driving by local cop Josh (Alex Russell, CBS’s “S.W.A.T.”). When Jay’s motel room is blasted with gun fire, it becomes clear that something larger is at play. While struggling to overcome their mutual distrust, Jay and Josh uncover a web of crime and corruption, which leads directly to the town’s cold-blooded Mayor (two-time Oscar nominee Jacki Weaver, Silver Linings Playbook) and its smarmy gold mine director (David Wenham, Lord of the Rings).

A dream home turned into a nightmare after a life-changing paranormal experience. The homeowner, Alice Jackson, refuses to spend another night at her house unless someone proves to her what she experienced has a natural explanation. Directors’ Steve Gonsalves and Kendall Whelpton headed to Mississippi with their camera crew to document the real-life effects of a homeowner’s mission to get her house back from this terrifying nightmare. The approach was much like a detective chasing down leads and connecting the dots. With a no stone left unturned mindset, utilizing real scientific data via physicists, field experts and deep accurate research. The filmmakers were also adamant their film crew be very experienced in the field of paranormal research because of the sensitive nature of this case. The directors hand selected each film crew member not only for their respective production expertise but also for their dedication to the documentation of real paranormal research.

When Detective Ben Stone is hit on the head and hospitalized, his injury births a new gift of telepathy which sends him down a mysterious path to help troubled individuals, only to find that he is dealing with a higher level threat.

Describing herself as a ‘street queen,’ Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.